Can machines sing? With his Synthetic album cycle, Rich Aucoin answers that question with a resounding, exuberant “yes.” The four-part project sweeps listeners through a gallery tour of synthesis history, giving voice to a chorus of specimens from the past century of electronic sound. On Season 3, Aucoin deepens his dive into the variegated genealogy of dance music, charting a joyful course through the many flavors of rave euphoria.

From March 2020 through February 2024, Aucoin recorded Synthetic: Season 3 during a series of visits to the National Music Centre in Calgary and the Vintage Synthesizer Museum in Los Angeles. Among these collections, he found historic synthesizers ranging from the ubiquitous to the esoteric, each with its own voice just waiting to be jolted to life. 

During these sessions, Aucoin took the opportunity to air out some of synth history’s most iconic instruments. With first album single “ElectroComp,” Aucoin brings the 1969 EML ElectroComp 200 squarely into the techno era, shaping whispery accents with its analog filters. 

From the mass-produced to the bespoke, each synthesizer on Synthetic: Season 3 sends a transmission from its makers’ own historical vision of the future. The instruments’ tactile interfaces — from fields of patch jacks to 50-year-old optical discs to rows and rows of voltage dials — all lend embodied dimension to the practice of shaping sound from raw electricity. Each of them carries a story about what might have tumbled into being from the moment of their creation. In awakening these machines, Aucoin cross-pollinates a choir of futures into an ecstatic, reverential present.

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