Peace Flag Ensemble return on their third LP with sharper focus and a wider lens. The record is their most canorous and their most accessible. The ambient free jazz collective’s early recordings were gauzy, percussion-less affairs where the piano was sparing and additional instrumentation was often textural, but on Everything Is Possible each member of the sextet finds space to shine while simultaneously lifting each other up.
Toronto-based lo-fi pop group No Frills returns with the release of “Shopping in the Toothpaste Aisle,” the first single from the band’s highly anticipated second album, Sad Clown out March 7, 2025 through We Are Busy Bodies. Known for weaving sardonic punchlines into sunny pop hooks, lead songwriter Dan Busheikin continues to strip his songs down to their essentials while reflecting on deeper themes like depression, mortality, and self-loathing — all with a playful twist.
Record Record Label, a Canadian vinyl reissue label operated by We Are Busy Bodies is announcing three vinyl reissues as part of its ongoing release series by late 90s Saskatchewan alternative group Filmmaker, orchestral pop ensemble The Hylozoists, and mid-90s grunge torchbearers hHead. All three albums will be released on February 28, 2025.
We Are Busy Bodies is celebrating its 20th anniversary with a five-day festival. This celebration coincides with the label’s 200th release: the third album by Saskatchewan ambient jazz group, Peace Flag Ensemble, set to be released in March 2025. The album, titled Everything Is Possible, is a fitting reflection of the label’s journey and achievements.
“We Are Busy Bodies has always been a labor of love,” says founder Eric Warner. “I’ve always believed that I could find an audience—whether a few hundred, a thousand, or more—that shares my passion for discovering new music."
Stefan Gnyś (pronounced G'neesh) recorded what would have been his first album Horizoning, at Heidebrecht Recording Services in St. Catherine, Ontario, Canada on April 21st 1969. Ten tracks were cut in a day-long session that Stefan had perfected over the previous 12 months, with the songs Horizoning and English Oaks having been inspired by a trip to the UK and Europe during the eventful summer of 1968.
Recorded less than a year after Funky Africa, South African guitar wizard Almon Memela returned under the release name Soweto to issue Broken Shoes. The album features two fifteen-minute songs that saw Memela backed by none other than Soweto's Pelican Club house band.
Lauded by The Wire as having made “two of the most beguiling electronic albums of recent years,” and described by The Guardian as “something of a virtual one-man Radiophonic Workshop from Vancouver”, Kristen Roos returns with a third volume of his Universal Synthesizer Interface series, to be released November 22nd.
Pioneering Scottish-Canadian animator Norman McLaren (1914-1987) – creator of seminal short films Dots, Neighbours, Synchromy and many more – as founder of the animation studio at the National Film Board of Canada is remembered in first ever release of soundtrack works, self-composed from the 1940’s to 1970’s and forecasting the following half-century of electronic music.
Photo Credit: Wilfried Good Eyes Following on from his self-titled 2022 debut, Togolese singer and guitarist Dogo du Togo introduces his new Lomé-based Alagaa Beat Band with the album Avoudé Recorded in less than 48 hours with help from renowned engineer Patrick Jauneaud (Elton John, Kate Bush, Queen), Avoudé represents a new evolution of ...
Annarella and Django’s debut album is a sublime, often dream-like musical tapestry that links West Africa & Scandinavia, featuring Swedish jazz flautist Annarella and ngoni harp master Django, from Mali, cousin of the late and great Toumani Diabate. Referring to the album’s tender production touch (by Annarella), transcendental grooves and jazz improvisations and harmonies, Jouer, meaning ‘play’ in French, was recorded between Dakar and Stockholm.
Can machines sing? With his Synthetic album cycle, Rich Aucoin answers that question with a resounding, exuberant “yes.” The four-part project sweeps listeners through a gallery tour of synthesis history, giving voice to a chorus of specimens from the past century of electronic sound. On Season 3, Aucoin deepens his dive into the variegated genealogy of dance music, charting a joyful course through the many flavors of rave euphoria.
Music For Horses is Christo Graham’s 10th album and third to be released on October 4 by We Are Busy Bodies. The album is a bit of a return to Graham’s 2020 record Turnin’s sensibilities. He had written those songs over a year and recorded them all to tape within a month and took a similar approach with these songs.
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